\n \n \n '+t+"\n
Lining Siren Of Campbell Jeffrey And Black Ankle nbsp;combination Textile Heeled Boots High Lining Leather FpxAxSq Lining Siren Of Campbell Jeffrey And Black Ankle nbsp;combination Textile Heeled Boots High Lining Leather FpxAxSq Lining Siren Of Campbell Jeffrey And Black Ankle nbsp;combination Textile Heeled Boots High Lining Leather FpxAxSq Lining Siren Of Campbell Jeffrey And Black Ankle nbsp;combination Textile Heeled Boots High Lining Leather FpxAxSq Lining Siren Of Campbell Jeffrey And Black Ankle nbsp;combination Textile Heeled Boots High Lining Leather FpxAxSq Lining Siren Of Campbell Jeffrey And Black Ankle nbsp;combination Textile Heeled Boots High Lining Leather FpxAxSq Lining Siren Of Campbell Jeffrey And Black Ankle nbsp;combination Textile Heeled Boots High Lining Leather FpxAxSq

Material & care

Upper material: Textile

Lining: Combination of leather and textile lining

Insole: Leather

Sole: Synthetics

Padding type: Cold padding

Details

Shoe tip: Pointed

Heel type: Block heel

Shoe fastener: Zip

Pattern: Plain

Details: Rhinestones

Article number: JE711N03J-Q12

Jeffrey Campbell
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4Save

Los verdaderos colores de una pintura al óleo han salido a al luz gracias al experto en arte, Philip Mould.

 

Hace unos doscientos años, alguien revistió con una gruesa capa de barniz un retrato de 1618 de una mujer desconocida, técnica que se usa normalmente para que las pinturas queden protegidas y no se desgasten con el paso del tiempo. Y aunque las pinturas acaban decolorándose con el paso de los años, el proceso de restauración de una obra resulta crucial para contemplarla y comprenderla mejor.

El presentador de la BBC del show televisivo Fake or Fortune y experto en arte Philip Mould ha compartido con sus seguidores el proceso de eliminación del barniz del caso de una pintura con una cuidadosa mezcla de gel y disovente, y la transformación de la obra ha resultado ser asombrosa. Los colores rojos del vestido de la dama desconocida han resurgido con fuerza y resultan mucho má exuberantes y llamativos que con la obra sin restaurar y empapada en barniz.

 

 

"La pintura originalmente estaba en una colección privada en Inglaterra y comenzamos a restaurarla. La técnica del gel que suspende el efecto del disolvente y una manera de trabajar pausada y controlada ha hecho que los colores salgan a la luz", dijo Mould al diario 'The Telegraph'. 

Comenzaron con una extensa capa de barniz en una superficie de aceite en un panel de roble, continuaron con el proceso descrito y, el resultado final ha sido espectacular. Os dejamos con algunas de las fotos del procedimiento.

 

Hace unos doscientos años, alguien recubrió con una gruesa capa de barniz un óleo de 1618. Recientemente, los verdaderos colores de la obra han sido recuperados.

 

"Comenzamos la restauración de la pintura después de una extensa prueba del barniz sobre una superficie de aceite en un panel de roble"

 

"Hicimos una mezcla de gel y disolvente, específicamente para eliminar el barniz y no dañar la pintura subyacente." "Es un proceso diferente de una restauración normal, trabajando de una manera más controlable"

 

Casi todos los detalles de la "Mujer de rojo" se han perdidos, lo único que sabemos es que tenía 36 años en el momento que fue retratada.

 

Jeffrey Textile High And Black nbsp;combination Lining Siren Campbell Lining Of Ankle Heeled Leather Boots En el vídeo podemos ver el proceso completo:

PHILIP MOULD: Facebook | Instagram | Twitter 

h/t mmm

 

 

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